Art in Action by
Taking vigorous issue with the pervasive Western notion that the arts exist essentially for the purpose of aesthetic contemplation, Nicholas Wolterstorff proposes instead what he sees as an authentically Christian perspective: that art has a legitimate, even necessary, place in everyday life. While granting that galleries, theaters and concert halls serve a valid purpose, Wolterstorff argues that art should also be appreciated in action -- in private homes, in hotel lobbies, in factories and grocery stores, on main street. His conviction that art should be multifunction is basic to the author's views on art in the city (he regards most American cities as dehumanizing wastelands of aesthetic squalor, dominated by the demands of the automobile), and leads him to a helpful discussion of its role in worship and the church. Developing an aesthetic that is basically grounded, yet always sensitive to the human need for beauty, Wolterstorff make a brilliant contribution to understanding how art can serve to broaden and enrich our lives.
Culture Care by
"Culture is not a territory to be won or lost but a resource we are called to steward with care. Culture is a garden to be cultivated."Many bemoan the decay of culture. But we all have a responsibility to care for culture, to nurture it in ways that help people thrive. In Culture Care artist Makoto Fujimura issues a call to cultural stewardship, in which we become generative and feed our culture's soul with beauty, creativity, and generosity. We serve others as cultural custodians of the future.This is a book for artists, but artists come in many forms. Anyone with a calling to create--from visual artists, musicians, writers, and actors to entrepreneurs, pastors, and business professionals--will resonate with its message. This book is for anyone with a desire or an artistic gift to reach across boundaries with understanding, reconciliation, and healing. It is a book for anyone with a passion for the arts, for supporters of the arts, and for "creative catalysts" who understand how much the culture we all share affects human thriving today and shapes the generations to come.Culture Care includes a study guide for individual reflection or group discussion.
Refractions by
A collection of essays, thoughts, and prayers from award-winning artist Makoto Fujimura, Refractionsbrings people of all backgrounds together in conversation and meditation on culture, art, and humanity.
Van Gogh's Untold Journey by 
Scribbling in the Sand by
Paper Edition was voted 2002 Publisher's Weekly Best Adult Religion Book of the Year!"It was art and it was theater at the same time, but it was more. It was what he did not say that spoke most powerfully to the mob that morning. It was a cup of cold water for a thirsty adulteress and an ice-cold drenching in the face to a group of angry Pharisees."To this day we have not the slightest idea what it was Jesus twice scribbled in the sand. By and large the commentaries have asked the wrong question through the ages. They labor over the content, over what he might have written. They ask what without ever realizing that the real question is why. It was not the content that mattered but why he did it. Unexpected. Irritating. Creative." (From chapter one)Singer, songwriter and diligent student of Scripture, Michael Card is well known for the depth of his lyrics and the artistry of his music. But far more significant than the songs he has penned is the source of his inspiration--the creativity embodied in Jesus Christ, the incarnate Word of God.In this book Card explores the biblical foundations of true Christian creativity. Whether we think of ourselves as creative or not, all of us are created in the image of our Creator God, and thus creativity is a vital expression of our discipleship. With Jesus as his model, Card shows how understanding God's creative imagination leads to a lifestyle of humility, obedience and servanthood. And he invites us to follow God's creative call through worship and community.Through Jesus, God has spoken to us in a word we can understand. Likewise, Michael Card has articulated the story of Jesus to others through his own scribblings in the sand. This book shows us how we can do the same.
A Wounded Innocence by
What is the theological significance of art? Why has the Church always encouraged the arts? What is so profoundly human about the arts? In A Wounded InnocenceAlejandro R. Garcia-Rivera answers these questions in a series of sketches" that are mixed spiritual and theological reflections on various works of art written in a poetic style. These reflections explore the relationship between the multi-dimensional spiritual and the arts. The first *sketch, - *The Beginning of Art, - introduces the rest that go on to explore further the human, artistic, and theological implications of a wounded innocence. Each *sketch - reflects on a particular human work of art. Some are conventional works of art. Others may never find their way into a museum but, then, that is one of the implications coming out of this book. A museum does not define what a work of art is, its human depth does. In these deeply studied yet spiritually written reflections on each work of art, it is hoped that the reader will find his and her own creative depth described, perhaps even revealed. A Wounded Innocenceis both inspiring and informative. Readers will learn about art, spirituality, and theology, and will find themselves inspired to look at works of art, and even to produce a work of art. It sets a new way of doing theology that is at the same time spiritual. More importantly, Garcia-Rivera describes a theology of art. Chapters are *The Beginning of Art, - *The End of Art, - *Human Freedom and Artistic Creativity, - *Heaven-with-Us, - *The Human Aspect of Atonement, - *The Tyger and the Lamb, - and *A Wounded Innocence. - Includes black and white art. Alejandro R. Garcia-Rivera, PhD, is associate professor of systematic theology at the Jesuit School of Theology at Berkeley. The author of numerous articles, he also wrote a Catholic Press Association award-winning book on theology and aesthetics titled The Community of the Beautiful(The Liturgical Press). "
Bezalel's Body by
When God died, art was born. With Christ's crucifixion, resurrection, and ascension, the human imagination began to be remade. In Bezalel's Body: The Death of God and the Birth of Art, Harvard-trained art historian Katie Kresser locates the historical roots of the thing we call art. She weaves together centuries of art history, philosophy, theology, psychology, and art theory to uncover the deep spiritual foundations of this cultural form. Why do some people pay hundreds of millions of dollars for a single painting? Why are art museums almost like modern temples? The answer lies in Christian theology and the earliest forms of Christian image making. By examining how cutting-edge art trends reveal age-old spiritual dynamics, Kresser helps recover an ancient tradition with vital relevance for today.
Art and Faith : A Theology of Making by
From a world-renowned painter, an exploration of creativity's quintessential--and often overlooked--role in the spiritual life "Makoto Fujimura is the rare artist whose life has something of the same purifying and galvanizing force of his work. His new book brings those two elements--life and art--even closer together, and is a real tonic for our atomized time." --Christian Wiman Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura's broad and deep exploration of creativity and the spiritual aspects of "making." What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God's being and God's grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman's words, "an accidental theologian," one who comes to spiritual questions always through the prism of art.