Culture Care by
"Culture is not a territory to be won or lost but a resource we are called to steward with care. Culture is a garden to be cultivated."Many bemoan the decay of culture. But we all have a responsibility to care for culture, to nurture it in ways that help people thrive. In Culture Care artist Makoto Fujimura issues a call to cultural stewardship, in which we become generative and feed our culture's soul with beauty, creativity, and generosity. We serve others as cultural custodians of the future.This is a book for artists, but artists come in many forms. Anyone with a calling to create--from visual artists, musicians, writers, and actors to entrepreneurs, pastors, and business professionals--will resonate with its message. This book is for anyone with a desire or an artistic gift to reach across boundaries with understanding, reconciliation, and healing. It is a book for anyone with a passion for the arts, for supporters of the arts, and for "creative catalysts" who understand how much the culture we all share affects human thriving today and shapes the generations to come.Culture Care includes a study guide for individual reflection or group discussion.
Refractions by
A collection of essays, thoughts, and prayers from award-winning artist Makoto Fujimura, Refractionsbrings people of all backgrounds together in conversation and meditation on culture, art, and humanity.
Till We Have Built Jerusalem by
“The city comes into existence . . . for the sake of the good life.” So wrote Aristotle nearly 2,400 years ago, articulating an idea that prevailed throughout most of Western culture and the world until the environmental consequences of the Industrial Revolution called into question the goodness of traditional urban life. Urban history ever since—from England’s early-nineteenth-century hygiene laws to mid-twentieth-century modernist architecture and planning to today’s New Urbanism—has consisted of efforts to ameliorate the consequences of the industrial city by either embracing or challenging the idealization of nature that has followed it. Architect Philip Bess’s Till We Have Built Jerusalem puts forth fresh arguments for traditional architecture and urbanism, their relationship to human flourishing, and the kind of culture required to create and sustain traditional towns and city neighborhoods. Bess not only dissects the questionable intellectual assumptions of contemporary architecture, he also shows how the individualist ethos of modern societies finds physical expression in contemporary suburban sprawl, making traditional urbanism difficult to sustain. He concludes by considering the role of both the natural law tradition and communal religion in providing intellectual and spiritual depth to contemporary attempts to build new—and revive existing—traditional towns and cities, attempts that, at their best, help fulfill our natural human desires for order, beauty, and community.
A Theology of the Built Environment by
In this 2002 book, Tim Gorringe reflects theologically on the built environment as a whole. Drawing on a wide range of both theological and social-scientific sources, Professor Gorringe explores Christianity in its urban settings, focussing on the use of space, design, architecture, and town planning to make a theological critique. After considering the divine grounding of constructed space, he looks at the ownership of land, the issues of housing, town and country, and the city, and then considers the built environment in terms of community and art. The book concludes with two chapters that set the whole within the framework of the environmental crisis and asks what directions the Church should be looking for in building for the future. This interesting book will challenge not only theologians, ethicists and sociologists of religion but also church teachers and professionals.
Theology in Built Environments by
Built space is both a physical entity as well as a socially and historically constructed place. It constantly interacts with human beings, affecting their behavior, thinking, and feeling. Doing religious work in a particular environment implies acknowledging the surroundings to be integral to theology itself. The contributors to this volume view buildings, scriptures, conversations, prayers, preaching, artifacts, music and drama, and built and natural surroundings as contributors to a contextual theology. The view of the environment in which religion is practiced as integrated with theology represents not just a new theme but also a necessity if one is to understand religion's own depth. Reflections about space and place and how they reflect and affect religious experience provide a challenge and an urgent necessity for theology. This is particularly important if religious practitioners are to become aware of how theology is given expression in the existential spatiality of life. Can space set theology free? This is a challenging question, one that the editor hopes can be answered, at least in part, in this volume. The diversity of theoretical concepts in aesthetics, cultural theory, and architecture are not regarded as a problem to be solved by constructing one overarching dominant theory. Instead, this diversity is viewed in terms of its positive potential to inspire discourse about theology and aesthetics. In this discourse, theology does not need to become fully dependent on one or another theory, but should always clearly present its criteria for choosing this or that theoretical framework. This volume shows clearly how different modes of design in sacred spaces capture a sense of the religious.
Graphic Design and Religion by
Ideal for graphic designers, illustrators, artists, and clergy alike, this thorough exploration of sacred art transcends the discussion of symbols and aesthetics in order to seek a truly spiritual way of seeing. By drawing a comparison between many different eras of religious iconography--from the illuminators of the Middle Ages to modern-day artwork and advertising pieces--this vital resource encourages creative thinkers from all religious backgrounds to rediscover their work as sacred. Beautiful and abundant illustrations, coupled with passionately written text, challenge the ways in which we view religious artwork and imagery.