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Hispanic/Latin Heritage Month: Physical Books

Hurricane Season

The Witch is dead. And the discovery of her corpse--by a group of children playing near the irrigation canals--propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters that most would write off as utterly irredeemable, forming a lasting portrait of a damned Mexican village. Like Roberto Bolaño's 2666 or Faulkner's greatest novels, Hurricane Season takes place in a world filled with mythology and violence--real violence, the kind that seeps into the soil, poisoning everything around: it's a world that becomes more terrifying and more terrifyingly real the deeper you explore it.  

The Remainder

Shortlisted for the 2019 Man Booker International Prize Felipe and Iquela, two young friends in modern day Santiago, live in the legacy of Chile's dictatorship. Felipe prowls the streets counting dead bodies real and imagined, aspiring to a perfect number that might offer closure. Iquela and Paloma, an old acquaintance from Iquela's childhood, search for a way to reconcile their fragile lives with their parents' violent militant past. The body of Paloma's mother gets lost in transit, sending the three on a pisco-fueled journey up the cordillera as they confront the pain that stretches across generations.

Comemadre

In the outskirts of Buenos Aires in 1907, a doctor becomes involved in a misguided experiment that investigates the threshold between life and death. One hundred years later, a celebrated artist goes to extremes in search of aesthetic transformation, turning himself into an art object. How far are we willing to go, Larraquy asks, in pursuit of transcendence? The world of Comemadre is full of vulgarity, excess, and discomfort: strange ants that form almost perfect circles, missing body parts, obsessive love affairs, and man-eating plants. Darkly funny, smart, and engrossing, here the monstrous is not alien, but the consquence of our relentless pursuit of collective and personal progress.

Poetry

Nostalgia Doesn't Flow Away Like Riverwater

A story of separation and displacement in two fictionalized voices: a person who has migrated, without papers, to the United States for work, and their partner who waits at home. Nostalgia Doesn't Flow Away Like Riverwater / Xilase qui rié di' sicasi rié nisa guiigu' / La Nostalgia no se marcha como el agua de los ríos is a trilingual collection by one of the most prominent Indigenous poets in Latin America: Irma Pineda. The book consists of 36 persona poems that tell a story of separation and displacement in two fictionalized voices: a person who has migrated, without papers, to the United States for work, and that person's partner who waits at home, in the poet's hometown of Juchitán, Oaxaca. According to Periódico de Poesía, a journal based at UNAM (Mexico's national university), when it was published in 2007, this book established Pineda "one of the strongest poets working in Zapotec, the [Mexican] Native language with the largest literary production."

Diadem: Selected Poems

Marosa di Giorgio has one of the most distinct and recognizable voices in Latin American poetry. Her surreal and fable-like prose poems invite comparison to Franz Kafka, Julio Cortázar, or even contemporary American poets Russell Edson and Charles Simic. But di Giorgio's voice, imagery, and themes--childhood, the Uruguayan countryside, a perception of the sacred--are her own. Previously written off as "the mad woman of Uruguayan letters," di Giorgio's reputation has blossomed in recent years. Translator Adam Giannelli's careful selection of poems spans the enormous output of di Giorgio's career to help further introduce English-language readers to this vibrant and original voice...

The Whole Island

Cuba's cultural influence throughout the Western Hemisphere, and especially in the United States, has been disproportionally large for so small a country. This landmark volume is the first comprehensive overview of poetry written over the past sixty years. Presented in a beautiful Spanish-English en face edition, The Whole Island makes available the astonishing achievement of a wide range of Cuban poets, including such well-known figures as Nicolás Guillén, José Lezama Lima, and Nancy Morejón, but also poets widely read in Spanish who remain almost unknown to the English-speaking world--among them Fina García Marruz, José Kozer, Raúl Hernández Novás, and Ángel Escobar--and poets born since the Revolution, like Rogelio Saunders, Omar Pérez, Alessandra Molina, and Javier Marimón. The translations, almost all of them new, convey the intensity and beauty of the accompanying Spanish originals...

New Physical Fiction

Mexican Gothic

 

After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemi Taboada heads to High Place, a distant house in the Mexican countryside. She's not sure what she will find--her cousin's husband, a handsome Englishman, is a stranger, and Noemi knows little about the region. Noemi is also an unlikely rescuer: She's a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she's also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin's new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemi; and not even of the house itself, which begins to invade Noemi's dreams with visions of blood and doom.

Olga Dies Dreaming

 

"A blazing talent debuts with the tale of a status-driven wedding planner grappling with her social ambitions, absent mother, and Puerto Rican roots, all in the wake of Hurricane María. It's 2017, and Olga and her brother, Pedro "Prieto" Acevedo, are bold-faced names in their hometown of New York. Prieto is a popular congressman representing their gentrifying Latinx neighborhood in Brooklyn while Olga is the tony wedding planner for Manhattan's powerbrokers. Despite their alluring public lives, behind closed doors things are far less rosy. Sure, Olga can orchestrate the love stories of the 1%, but she can't seem to find her own...until she meets Matteo, who forces her to confront the effects of long-held family secrets... 

The Great Divide

"A novel about the construction of the Panama Canal, following the intersecting lives of the local families fighting to protect their homeland, the West Indian laborers recruited to dig the waterway, and the white Americans who gained profit and glory for themselves"

Dominicana

 

Fifteen-year-old Ana Cancion never dreamed of moving to America, the way the girls she grew up with in the Dominican countryside did. But when Juan Ruiz proposes and promises to take her to New York City, she has to say yes. It doesn't matter that he is twice her age, that there is no love between them. Their marriage is an opportunity for her entire close-knit family to eventually immigrate. So on New Year's Day, 1965, Ana leaves behind everything she knows and becomes Ana Ruiz, a wife confined to a cold six-floor walk-up in Washington Heights. Lonely and miserable, Ana hatches a reckless plan to escape. But at the bus terminal, she is stopped by Cesar, Juan's free-spirited younger brother, who convinces her to stay...

New Physical Nonfiction

Solito

Trip. My parents started using that word about a year ago--'one day, you'll take a trip to be with us. Like an adventure.' Javier's adventure is a three-thousand-mile journey from his small town in El Salvador, through Guatemala and Mexico, and across the U.S. border. He will leave behind his beloved aunt and grandparents to reunite with a mother who left four years ago and a father he barely remembers. Traveling alone except for a group of strangers and a "coyote" hired to lead them to safety, Javier's trip is supposed to last two short weeks. At nine years old, all Javier can imagine is rushing into his parents' arms, snuggling in bed between them, and living under the same roof again. He cannot foresee the perilous boat trips, relentless desert treks, pointed guns, arrests and deceptions that await him; nor can he know that those two weeks will expand into two life-altering months alongside a group of strangers who will come to encircle him like an unexpected family. A memoir as gripping as it is moving, Solito not only provides an immediate and intimate account of a treacherous and near-impossible journey, but also the miraculous kindness and love delivered at the most unexpected moments. Solito is Javier's story, but it's also the story of millions of others who had no choice but to leave home.

My Side of the River

Elizabeth Camarillo Gutierrez reveals her experience as the U.S. born daughter of immigrants and what happened when, at fifteen, her parents were forced back to Mexico in this galvanizing yet tender memoir. Born to Mexican immigrants south of the Rillito River in Tucson, Arizona, Elizabeth had the world at her fingertips as she entered her freshman year of high school as the number one student. But suddenly, Elizabeth's own country took away the most important right a child has: a right to have a family. As her parents' visas expired, they were forced to return to Mexico, leaving Elizabeth responsible for her younger brother, as well as her education. Determined to break the cycle of being "a statistic," she knew that even though her parents couldn't stay, there was no way she could let go of the opportunities the U.S. could provide. Armed with only her passport and sheer teenage determination, Elizabeth became what her school would eventually describe as an unaccompanied, homeless youth, one of thousands of underage victims affected by family separation due to broken immigration laws. 

My Broken Language

GOOD MORNING AMERICA BUZZ PICK * The Pulitzer Prize-winning playwright and co-writer of In the Heights tells her lyrical story of coming of age against the backdrop of an ailing Philadelphia barrio, with her sprawling Puerto Rican family as a collective muse. "Quiara Alegría Hudes is in her own league. Her sentences will take your breath away. How lucky we are to have her telling our stories."--Lin-Manuel Miranda, award-winning creator of Hamilton and In the Heights ONE OF THE BEST BOOKS OF THE YEAR: NPR, New York Public Library, BookPage, BookRiot   Quiara Alegría Hudes was the sharp-eyed girl on the stairs while her family danced their defiance in a tight North Philly kitchen. She was awed by her mother and aunts and cousins, but haunted by the unspoken, untold stories of the barrio--even as she tried to find her own voice in the sea of language around her, written and spoken, English and Spanish, bodies and books, Western art and sacred altars. Her family became her private pantheon, a gathering circle of powerful orisha-like women with tragic real-world wounds, and she vowed to tell their stories--but first she'd have to get off the stairs and join the dance. She'd have to find her language. Weaving together Hudes's love of music with the songs of her family, the lessons of North Philly with those of Yale, this is a multimythic dive into home, memory, and belonging--narrated by an obsessed girl who fought to become an artist so she could capture the world she loved in all its wild and delicate beauty. LONGLISTED FOR THE ANDREW CARNEGIE MEDAL

Trejo

In this "celebration of a life fully lived" (Reyna Grande, author of The Distance Between Us), discover the full, fascinating, and inspirational true story of Danny Trejo's journey from crime, prison, addiction, and loss--it's "enough to make you believe in the possibility of a Hollywood ending" (The New York Times Book Review). On screen, Danny Trejo the actor is a baddie who has been killed at least a hundred times. He's been shot, stabbed, hanged, chopped up, squished by an elevator, and once, was even melted into a bloody goo. Off screen, he's a hero beloved by recovery communities and obsessed fans alike. But the real Danny Trejo is much more complicated than the legend...

More Physical Books

No separate refuge : culture, class, and gender on an Anglo-Hispanic frontier in the American Southwest, 1880-1940

Long after the Mexican-American War brought the Southwest under the United States flag, Anglos and Hispanics within the region continued to struggle for dominion...

A Latina in the land of Hollywood and other essays on media culture

From ads for Victoria's Secret to the character roles of Rosie Perez, the mass media have been defining race and femininity. In this diverse set of essays, Angharad N. Valdivia breaks theoretical and methodological boundaries by exploring the relationship of the media to various audiences...

The corn woman : stories and legends of the Hispanic Southwest = La mujer del maiz : cuentos y leyendas del sudoeste hispano

The culture, history, and spirit of the Hispanic Southwest are brought to readers through this fascinating collection of 45 cuentos (stories and legends) from the region...